Since its release in 2016, Naomi Alderman’s The Power has been impossible to miss, receiving accolades from the New York Times and President Barack Obama, among many many others. The premise is that women — through a new organ called a skein, located at their collarbones — suddenly become more physically powerful than men, able to transmit strong jolts of electricity. Things go downhill pretty quickly. I resisted The Power because I am tired of power and the things people do to keep it. 2016 was the year Alton Sterling was killed in my home state. 2016 was the year…
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It’s Friday, friends, and I’m working all day tomorrow at a conference. Here’s hoping that you have a wonderful and restful weekend, and that if I don’t get enough sleep (I won’t) or find a reasonable place to park (I won’t), I at least manage to buy some terrific books at discount last-day-of-conference prices. All the excuses people give for making shitty racist movies, and why none of them are that convincing. (Clap your hands if you are pleased to see Ghost in the Shell bombing.) On feminist SF writers and the dystopian worlds they create. And it’s got a…
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