“AKA Crush Syndrome” opens on Jessica being interrogated by the cops in the wake of Hope’s parents’ deaths. The scene has the kind of framing I love in this show, where we observe Jessica at an odd angle — through a window, behind a door, in a mirror. We’re watching Jessica, of course; but more importantly, the way this show’s shot doesn’t let you forget that Jessica is constantly being watched. The camera literalizes the feeling Jessica (and, to a lesser extent, ladies in public spaces) has of being perpetually on display for an unseen audience. It’s a neat trick…
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