(Oh, I forgot to tell you, I’m only using Crimson Peak gifs this week, because it’s the greatest movie of our time, yet could not have existed without this garbage fire of a book.)

(It probably could have. Someone else would have written an influential Gothic novel that would have fit into this slot.)

Anyway, this week THE MONK rapes Antonia, and the least said about that the better. Afterward he feels guilty and he thinks maybe he’ll let her live the rest of her life down there in the crypt, and then she sort of talks him into letting her leave, but regrettably, Matilda comes along all like

While they’re debating whether to kill Antonia or not, she sensibly takes off running. I can’t remember if she hears Lorenzo’s voice and goes running so he can save her, or if she takes off running first and hears Lorenzo’s voice second. Needless to say, I can’t be bothered going back to check. She runs headlong through the halls of the crypt area, screeching like a banshee (luckily she screams louder than Elvira) and does not stop even when THE MONK stabs her to shut her up.

So Antonia’s dead, Lorenzo’s inconsolable, and THE MONK and Matilda have to go to the Inquisition to be tried for their crimes. Lorenzo takes to his bed in grief (don’t worry, there’s a consolation prize named Victoria awaiting him, or maybe it’s Virginia, I honestly DGAF anymore), and guess who sits with him to console him through this difficult time because she can see that he’s in need of comfort.

NO, GUESS.

If you guessed “Agnes” and then howled “WHAT IS THIS FUCKERY,” then you and I are in total agreement. As a reminder, when we left Agnes, she was in such a zombified, skeletal state that her own nearest kin (Lorenzo) was unable to recognize her. She had been poisoned, starved, and brutalized for weeks while pregnant, and then she had the baby, which died from lack of nourishment, rotted in her arms, and MAGGOTS CRAWLED ON AGNES’S HANDS WHILE SHE SLEPT.

But she sees that Lorenzo really needs comfort because this girl he barely knew just died. Sure. Yes. Fine.

Oh, and Lewis does explain why nobody recognized Agnes before. It’s because her hair was messed up. I AM NOT EVEN KIDDING. And Agnes marries her long-winded boyfriend (may you always be satisfied), and Lorenzo marries his consolation prize (ditto), and Flora gets to go back to Cuba (good for you, Flora!), and we never hear anything about Not-Now Christoval (sigh).

After all this, THERE IS STILL ANOTHER CHAPTER TO READ. The Inquisition tortures Matilda and Ambrosio into confessing, and Ambrosio’s so frightened of being ?further tortured? and burned at the stake that he agrees to sell his soul to Lucifer if Lucifer will set him free of this prison and keep him safe from the Inquisition. In a twist I have to feel Ambrosio should have seen coming if he has read anything about the devil before ever, Lucifer frees him from the prison but then immediately throws him off a cliff, thereby consigning Ambrosio’s soul to eternal hellfire and torment.

THE END.

I hope you have enjoyed my torments as I’ve plowed through what may legitimately be the worst book in all of history. I cannot exactly remember why I hounded Alice into doing this readalong, but anyway it has been a pleasure to share the absurdity/suffering with all you lovely people (readalongers and non-readalongers alike!).

The post MONKALONG! (the end at last) appeared first on Reading the End.

So in the first chapter of the third volume, it seems that Agnes is not only merely dead, she’s really most sincerely dead. Alphonso (the world’s most boring storyteller) takes to his bed in his grief, while Lorenzo believes everything a nun tells him, even if she’s Obviously Evil ™. So it’s up to Theodore to do some reconnaissance work re: Agnes, by which he discovers through Non-Evil Nun Ursula that Agnes is dead, that the nunnery is a hotbed of wickedness, and that Non-Evil Nun Ursula is ready to blow the whole thing wide open.

Meanwhile, in an imperfectly-synched-up storyline across the way that seems to have nothing to do with this one at all, THE MONK sneaks into Antonia’s room and renders her instantly and painlessly unconscious with his Lucifer-supplied stick (not a euphemism). As he’s preparing to rape her (you’re the worst, Ambrosio), Elvira walks in on him.

Here’s the thing, Elvira. Antonia is unconscious, and your frail and sickly screams are as the squeaking of a domestic guinea pig, so your first move should probably be to secure your safety and the safety of your daughter and worry about the legal side later. When Elvira first walks in, the only thing THE MONK wants to do is get out, but then Elvira’s all like:

It’s actually pretty great, I’m not going to lie.

“I promise not only that Antonia shall be secure from me in future, but that the rest of my life shall prove ….”

Elvira interrupted him abruptly.

“Antonia secure from you? I will secure her!”

Damn right, Elvira! You know this dude can’t be trusted. But also — maybe save it for a time when you’re not all alone with him? Because the next thing that happens is that THE MONK kills Elvira, leaves her corpse on Antonia’s bedroom floor, and takes off.

Ugh, and then THE MONK has a whole plan where he’s going to give Antonia a drug that will make her seem dead, and they’ll inter her in the monastery, and then THE MONK can go downstairs to the crypt and rape her there, because she’ll be entirely in his power. I was okay with this except that, when the plan goes into effect, we see Antonia’s heartbeat grow “sluggish” and she subsequently “expires.” But then, stealthily, THE MONK gets anxious and checks her pulse AND SHE STILL HAS A PULSE.

Like I know eighteenth-century Spanish medicine wasn’t so much when you compare it to our modern standards, but they presumably knew about pulses, right? They presumably had sufficient knowledge of how to where they don’t inter people who still have a pulse?

Whatever. I don’t even care. Next there’s a mighty nun showdown where Non-Evil Nun Ursula gives a speech to a crowd explaining how the nunnery murdered poor Agnes, and the crowd promptly riots and stones half the nuns to death. A disillusioned Lorenzo goes running into the nunnery for reasons I can’t be bothered to remember, and guess what he discovers there.

No, guess.

If you guessed “oubliette,” you are correct (I WAS RIGHT). If you guessed “oubliette containing ZOMBIE NUN,” you are even correcter.

Okay. I actually can’t top that. I’m done for the day. Zombie nun.¹

Thanks to Alice, as ever, for hosting!

The post MONKALONG!, part 4 appeared first on Reading the End.

When I wrote my post for Monkalong Part 1, I didn’t say anything about Lorenzo’s sister Agnes, who got pregnant WHILE A NUN. In my defense, so many goddamn things happened in the first two chapters that it was really hard to figure out where to focus my attention, and THE MONK was just more interesting than poor old Agnes, as well as being, you know, the eponymous character. Obviously Matthew Gregory Lewis caught wind of this omission on my part, because the next two chapters were the Incredibly Lengthy Saga of How Agnes Got Pregnant While a Nun.

What follows are nesting-doll stories in which Agnes’s lover, Alphonso (also, coincidentally, the relative whom sweet dumb Antonia hopes to convince to give her money) tries to prove to Lorenzo that he is legit, and part of that story includes another lady telling Alphonso a story to prove that she is legit, and her story includes the first instance in this book of rape. And hopefully also the last because that is not my jam. You  better watch out, Matthew Gregory Lewis. You are on the thinnest of ice with this.

The story Alphonso tells Lorenzo occupies two chapters. To put that into perspective, there are twelve chapters in this book total. That means that more than fifteen percent of this book is just Alphonso explaining to Lorenzo how and why he knocked up Lorenzo’s sister. At the end of this UNBELIEVABLY LONG GODDAMN STORY, Lorenzo tells Alphonso that ordinarily he’d have to kill Alphonso to defend his sister’s honor, but in this case he’s not going to do it because, and God knows I quote, “The temptation was too great to be resisted.” What the shit, Matthew Gregory Lewis.

Then Alphonso goes home and there’s a poem. You can fuck right off, sir, if you think that I’m going to read a damn poem after you just wasted thirty-two thousand words (I counted) on a story that you could have told in two sentences, to wit: “I snuck into the monastery. We had sex.”

Lorenzo gets Alphonso to agree to financially support Antonia and her mother, and in a shocking twist, when he tells this to Antonia’s mother, Elvira does not immediately offer Antonia to him in marriage out of gratitude.

Instead she says that Lorenzo can marry Antonia if his whole family agrees to it in writing or something. That Lorenzo doesn’t get all entitled and furious about this and make assignations with Antonia in secret kind of makes me think better of him. I mean, that, and the time he had to sit through an hours-long story about How His Sister Got Pregnant While a Nun.

Finally, Lorenzo goes to the convent with a papal dispensation calling for Agnes’s release so she can marry Alphonso and live in wedded bliss, the Mean Nun in charge of the convent tells him that Agnes is DEAD.

(Doubtful.)

I revise my earlier statement. I am mad at me for not talking about Agnes in my last post, but I am much madder at Matthew Gregory Goddamn Lewis for making me sit through thirty-two thousand words just to explain how one lady got knocked up.

Thanks as ever to Alice for hosting this gloriously insane readalong! Head over to her place for (possibly) more measured remarks on this section, which despite the title of the book contains absolutely no MONK whatsoever.

The post Monkalong, Part 2 appeared first on Reading the End.

The titular MONK (an official readalong style guide has not yet been released, but I have to assume that it will stipulate the word MONK must appear in all caps when referring to the eponymous one) is Ambrosio, a man of mysterious background and flawless morals who is basically the One Direction of eighteenth-century Madrid, except he uses riveting sermons instead of synthy pop songs to win the hearts of teen girls.

(Okay, this metaphor doesn’t fully work, because grown-ass nobleman are just as susceptible to Ambrosio, but let’s move past it. There’s a lot of ground to cover in these first two chapters.)

The first chapter deals with a newly converted Ambrosio fangirl, the lovely but dumb Antonia, whose mother — ugh, this is so long and stupid to explain. Short version, Antonia had a brother who her father’s rich relatives took away from her mother, and the mother later heard back from them that the brother had died while still in tothood.

Y’all, important question. THE MONK is obviously Antonia’s brother. Is the plot of this book going to be that he creeps on her? IS THIS AN INCEST BOOK?

Anyway, Antonia and her ugly old aunt Leonella meet two Italian nobleman, of whom one — Lorenzo — immediately falls in love with Antonia because of course he does, and the other — Christoval — is my favorite character in this readalong so far. I suspect he’s going to spend the bulk of this book being told “Not now, Christoval,” but I hope that at the end he wins everything. When someone tries to tell Not-Now Christoval (h/t) a secret, he says “I must beg leave to decline your confidence.”

Free advice: If you have any reason to believe that you are a character in a Gothic novel, it’s probably best to leave the room — or better yet, the country — as soon as you get a whiff of intrigue. Smart money says Lorenzo or Antonia or both are going to be dead by the end of this book, but I have a good feeling about Not-Now-Christoval’s survival chances.

In the second chapter, we get to spend time with THE MONK and his best monk friend, Rosario, who never shows his face and nobody finds this suspicious because Rosario brought a ton of money to the monkery when he took his vows. That — actually seems super plausible. I got really excited about Rosario when he first showed up, because the only thing he cares about (he says) is the affection of THE MONK, and I was really looking forward to making all the gay priest jokes throughout the rest of this readalong.

However, I was thwarted. Rosario turns out to be a lady named Matilda who’s passionately (but platonically) in love with THE MONK. When she tells THE MONK her secret, he insists that she leave the monkery, and she threatens to kill herself if Ambrosio doesn’t let her stay. Madam, you are now my least favorite character, probably forever, because manipulative suicide threats are the dickest of moves. THE MONK — also a strong contender for being The Worst — sees the boob she is threatening to stab a knife into and becomes inflamed with lust, because nothing is sexier than a woman on the brink of self-harm. He subsequently has several dreams about Matilda’s boob.

So much ridiculous bullshit ensues after this that I can’t even make myself describe it. Suffice it to say that the chapter ends with both Matilda and THE MONK feeling decidedly less platonic about each other than they have been claiming all along, and some stuff ensues. You know what I’m saying.

SO FAR I HATE EVERYONE IN THIS BOOK I AM SO GLAD WE ARE DOING MONKALONG. Swing by Alice’s place to see what everyone else thinks of The Monk so far. Will anyone love it? Probably not, y’all, cause this book is legitimately not that good.

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