Enter Title Here is about a girl called Reshma who is first in her class (due to a lawsuit her parents filed when the school tried to change the system by which GPA was calculated) and badly wants to get into Stanford. She’s cynical enough about the system — ever since her parents got cheated by a Silicon Valley cutthroat lady — that she believes she has to have a “hook” to overcome her mediocre SAT scores. And she decides that her hook will be an agented novel that she will write over the course of the school year, all about a studious Indian American girl like herself who gets a boyfriend, makes friends with the popular kids, and goes to parties.

White people like to think we’re all emotionless study machines. They tell themselves that their kids might not do as well in school, but at least they know how to enjoy life. Well, I’ll spend a month enjoying life and then, oh, I expect it’ll “transform” me. I learned in English class that stories often end with the character having a staggering realization: an epiphany. And I expect to have one sometime right around September 28.

By the end of the novel, I’ll turn into a whimsical girl who harvests all the possible joy from each moment and lives a carefree existence and lets the future take care of itself and all that other bullshit.

Spoilers: That’s not exactly what happens.

Enter Title Here tries less than maybe any other YA novel I’ve ever read to make its protagonist likeable. Even when Reshma gets caught screwing up, she’s mainly sorry that she got caught and will have that much more of an obstacle in the way of her success. She’s cynical about her relationships — romantic, platonic, and parental — and even more cynical about the world she lives in. She’s cynical, but she’s not wrong: The goalposts for success in high school are clear, and she’s got a keen eye on how to meet them.

Kanakia does something really sensible in this book, given what an unreliable narrator Reshma is. (She lies about a lot of stuff that we only find out about when other characters do — and then Reshma says, oh yeah, I didn’t mention that before because it wasn’t a big deal.) It can be hard to tell what Reshma’s like as a person — where she’s all talk and where she’s absolutely living the way she says she’s living — so Kanakia has sensibly included a few characters who’ve got Reshma’s number. In her interactions with Alex and George and even the slightly-pitiful Aakash (whom Reshma selects to be her temporary boyfriend), we’re able to see Reshma’s loneliness, her honesty, her intensity, and her spots of vulnerability, in ways that she’s slightly concealing from us otherwise. It’s a neat trick in what might otherwise have been a rather cold-hearted book.

Huzzah Slytherins! (I’m not a Slytherin tho, I am a Ravenclaw, but still, Slytherins get a bum rap, and I liked Reshma.)

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