This concept of “the male glance” is p. devastating, and the more I think about it, the more I feel it’s going to change the way I conceptualize art and art criticism. Lili Loofbourow on the underrating of art by women, which by the WAY, the fact that Crazy Ex-Girlfriend isn’t winning every prize every year is proof positive that the “we” Loofbourow identifies is unable to recognize the intentionality of female performance AGH that show is so fucking good. This is the story of a woman whose childhood was filled with disruptions and changes that she didn’t understand —…
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