Friends, I am very, very choosy about my “Beauty and the Beast” retellings. To the best of my recollection, the only one that I have ever loved is Robin McKinley’s Beauty.1 I liked Uprooted, but I loved it best when it was doing things other than retelling “Beauty and the Beast.” I hear good things about W. R. Gingell’s Masque, but I am not pinning my hopes on it. So when I tell you that I was blown away by Aliette de Bodard’s novella In the Vanishers’ Palace, a queer retelling of “Beauty and the Beast,” I want you to…
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