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	<title>the first half of the book was better than the second half because physics conflicts are more interesting than murder investigation Archives - Reading the End</title>
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	<description>before I read the middle</description>
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	<title>the first half of the book was better than the second half because physics conflicts are more interesting than murder investigation Archives - Reading the End</title>
	<link>https://readingtheend.com/tag/the-first-half-of-the-book-was-better-than-the-second-half-because-physics-conflicts-are-more-interesting-than-murder-investigation/</link>
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		<title>The moral of the story</title>
		<link>https://readingtheend.com/2014/05/14/the-moral-of-the-story/</link>
					<comments>https://readingtheend.com/2014/05/14/the-moral-of-the-story/#comments</comments>
		
		<dc:creator><![CDATA[Gin Jenny]]></dc:creator>
		<pubDate>Wed, 14 May 2014 09:00:33 +0000</pubDate>
				<category><![CDATA[3 Stars]]></category>
		<category><![CDATA[authors should have control of their ships!]]></category>
		<category><![CDATA[I get Robertson Davies and Randall Jarrell mixed up]]></category>
		<category><![CDATA[I like knowing what the rules are]]></category>
		<category><![CDATA[In Free Fall]]></category>
		<category><![CDATA[Juli Zeh]]></category>
		<category><![CDATA[more mystery novels should be about the tensions between rival scientists]]></category>
		<category><![CDATA[my review of In Free Fall will take place in the tags section because I'm not doing it in the body of the post]]></category>
		<category><![CDATA[the first half of the book was better than the second half because physics conflicts are more interesting than murder investigation]]></category>
		<category><![CDATA[the resolution of the mystery was awesomely horrifying]]></category>
		<guid isPermaLink="false">http://readingtheend.com/?p=5432</guid>

					<description><![CDATA[<p>I just finished Juli Zeh&#8217;s book In Free Fall (Dark Matter in the UK, and although I&#8217;m not doing a cover comparison because this post isn&#8217;t actually a review, the British cover wins and will be counted as such in my end-of-year tallies), a book that seems to assume a moral stance I can&#8217;t get on board with: If you are being blackmailed to do a murder, the fact that you then do murder doesn&#8217;t count. In my opinion, yeah, it definitely still counts. I had other problems with the book (started very strong; ended less strong), but I had&#8230;</p>
<p>The post <a href="https://readingtheend.com/2014/05/14/the-moral-of-the-story/">The moral of the story</a> appeared first on <a href="https://readingtheend.com">Reading the End</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>I just finished Juli Zeh&#8217;s book <em>In Free Fall</em> (<em>Dark Matter</em> in the UK, and although I&#8217;m not doing a cover comparison because this post isn&#8217;t actually a review, the British cover wins and will be counted as such in my end-of-year tallies), a book that seems to assume a moral stance I can&#8217;t get on board with: If you are being blackmailed to do a murder, the fact that you then do murder doesn&#8217;t count. In my opinion, yeah, it definitely still counts. I had other problems with the book (started very strong; ended less strong), but I had a particular problem with this assumption, and it started me thinking about moral stances in books and problems thereof.</p>
<p>Take <em>Lolita,</em> a book I truly love. The morals of the <em>protagonist</em> are repugnant, to the degree that some readers find them rebarbative and give up on the book altogether. But the morals of the <em>author</em> are fairly clearly aligned with ours, which is what makes even the most upsetting scenes in the book readable for me. (I&#8217;m ignoring here the insane critical stance of Robertson Davies and his ilk, which take Humbert&#8217;s claim that Lolita is a temptress at face value. Hush your face, Robertson Davies; the grown-ups are talking.)</p>
<p>By contrast (since I&#8217;m taking cheap shots), my problem with the <em>Twilight</em> book isn&#8217;t actually that the characters are silly and gender-regressive. It&#8217;s that the author has demonstrated on more than one occasion that she has no idea that she&#8217;s writing silly, gender-regressive characters. There&#8217;s no <em>corrective</em> for them; the people who say &#8220;Hey this is unhealthy&#8221; are not taken seriously. It&#8217;s the lack of self-awareness on the part of the author that bothers me so much.</p>
<p>As is my custom, I have been fretting about being bothered by something like this (not in <em>Twilight,</em> because <em>Twilight</em> is garbage, but in <em>In Free Fall</em> and books like it). Isn&#8217;t part of the point of reading to get inside someone else&#8217;s head who thinks different thoughts in different ways than you do? Am I so close-minded that I won&#8217;t read books by people who believe things different to what I believe?</p>
<p>You know that legal objection that sometimes lawyers say on lawyer shows? <em>Objection, not in evidence,</em> that one? I think <em>that&#8217;s</em> my problem. I am a generous suspender of disbelief, <em>if</em> the author knows what disbeliefs she&#8217;s asking me to suspend. Lev Grossman&#8217;s <em>Magicians</em> series takes place in a world that is very much like our world, except they have some different books from us, and some people can do magic. <em>Fine.</em> But the earth still revolves around the sun, and it&#8217;s still a dick move to cheat on your girlfriend. I am happy to read a book in which the sun revolves around the earth, but <em>The Magicians</em> is not that book and cannot toss in a casual mention of the sun&#8217;s circular path around the earth without doing some work to explain what&#8217;s going on with that.</p>
<p>It is just the same with morals. I&#8217;m happy to read a book that takes place in our world that <em>argues</em> that killing someone because you were coerced to do it is morally justified. I&#8217;m happy to read a book set in some other world where <em>everybody</em> believes that killing someone because you were coerced to do it is morally justified. But until the argument&#8217;s in evidence one way or another, it just feels like the author doesn&#8217;t have control of the ship. Nothing says &#8220;I have control of this ship!&#8221; like some other character calling bullshit on the protagonist&#8217;s legitimate bullshit.</p>
<p>(Hey, guys, remember that time Hermione told Harry he had a &#8220;saving-people-thing&#8221;? That was a good day, wasn&#8217;t it? Or, I mean, that was an awful day and I cried and cried, but it was good when Hermione articulated &#8220;saving-people-thing&#8221;.)</p>
<p><em>Where are y&#8217;all on moral disconnects between your own brain and the brains of fictional characters?</em></p>
<p>The post <a href="https://readingtheend.com/2014/05/14/the-moral-of-the-story/">The moral of the story</a> appeared first on <a href="https://readingtheend.com">Reading the End</a>.</p>
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