Martin Millar writes books like classic British sitcoms, where there is a central organizing event (or several) around which the action is oriented, and the characters all have their separate and incompatible visions for what is to happen at this event, and everything goes magnificently to hell, and then in the end it all turns out okay, or doesn’t. Whether or not this works for you as a structure will most likely be the determining factor in whether you enjoy any Martin Millar book, ever — including his most recent novel, The Goddess of Buttercups and Daisies.

The Goddess of Buttercups and Daisies is set in ancient Athens, about midway through the Peloponnesian War between Athens and Sparta. Athens and Sparta are holding a peace conference, and the city is preparing for the Dionysian festival at which new plays will be presented to the city. Demigods and immortals descend on the city to watch these events unfold (or sabotage them). Aristophanes struggles to get his pro-peace play Peace sorted out, and common-born Luxos does his best to jump-start his career as a poet.

Describing a Martin Millar novel — and this is a very good one — is tricky because all of the adjectives that come to mind come loaded with unwanted connotations. I always say sweet, or charming, and The Goddess of Buttercups and Daisies is both sweet and charming, but that undersells its cleverness. Clever implies that there isn’t any heart, and there is because it is impossible not to fall for the sincerity of Millar’s characters (and the super simplicity of their motivations). Sincere misses how funny it is.

I’ll go with funny in the end, and also self-aware: Millar clearly recognizes a level of absurdity in writing a comic novel set in ancient Greece, and his book lets the audience in on the joke without getting too winky. The story has simple stakes, but Millar knows that the historical background was far from simple, and this also shows.

Martin Millar is one of my favorite authors in the sense that you know what one of his books is going to be, and it always is most satisfyingly that. The Goddess of Buttercups and Daisies is as solid an introduction to his particular brand of madcap scheme-making story as any he’s written in the past.

Really important question tho: Do you like Athens or Sparta better? (The correct answer is “Athens, but”.)

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