Tag: there is something of the subculture exploration to Janet Malcolm’s literary biography when she starts talking with the biographers so of course I love that

I think what I love about Janet Malcolm’s biographical writing is that she’s not, properly speaking, writing a biography. I don’t have a lot of patience for biographies (Oscar Wilde biographies excepted); even the best ones tend to have moments where they’re plodding along through the question of what subjects the person took at university, and how they got on in their first job and their second job and their third job before discovering what they were truly meant for. Janet Malcolm — in The Silent Woman and now in Two Lives — is writing not the story of her…