Episode 128

You can find Intisar at her website, as well as on Twitter, Facebook, or Instagram. The book is Thorn, and you can acquire it — we hope you will! — wherever books are sold. For my part, I have preordered it from the queer SFF indie Tubby and Coo’s!

Get at me on Twitter, email the podcast, and friend me (Gin Jenny) and Whiskey Jenny on Goodreads. If you like what we do, support us on Patreon. Or if you wish, you can find us on iTunes (and if you enjoy the podcast, give us a good rating! We appreciate it very very much).

Credits
Producer: Captain Hammer
Photo credit: The Illustrious Annalee
Theme song by: Jessie Barbour
Transcripts by: Sharon of Library Hungry

Transcript coming soon!

The post PODCAST, Ep. 128 – Interview with Intisar Khanani, Author of Thorn appeared first on Reading the End.

With that said, I had a pretty terrific reading year in 2017. I encountered some new instant favorites, books I loved so much I shoved them at everyone I knew and immediately requested them for birthday or Christmas. I love books and I love reading and I love y’all, so thanks all the way around for being great.

Monstress, by Marjorie Liu and Sana Takeda

Never shall I give up my fondness for monster girls. Monstress is a weird and wonderful comic about a girl with special powers who finds herself at war with the whole world. The art is unfathomably lovely.

Iron Cast, Destiny Soria

Two best friends create magical illusions at an illegal night club in Boston, just before Prohibition begins. Iron Cast features found family to the max, including a best-friendship that’s more central to the characters than their romances (which is rare as hell), and some genuinely cool magic. If you’re a reader on the hunt for more one-and-dones in YA, Iron Cast is for you.

Borderline and Phantom Pains, Mishell Baker

I haven’t read much urban fantasy, but Borderline made me want to change that. Mishell Baker’s borderline protagonist is a double amputee and survivor of a suicide attempt, recruited to work for a mysterious organization called the Arcadia Project. Creepy fairies abound (my fave), plus lots of details about the nitty-gritty of cognitive therapy for BPD.

The Woman Next Door, Yewande Omotoso

Contrary to popular belief, I do not like books solely based on their having French flaps. But French flaps help. The Woman Next Door is a lovely, quiet exploration of the aftermath of apartheid in South Africa: the story of two women whose enmity softens into something that is not quite friendship but no longer exactly hostility. It’s also a story about complicity in oppression that doesn’t insist upon redemption. I loved it.

Testosterone Rex, Cordelia Fine

I mean, obviously. Cordelia Fine remains brilliant, and she is so good at making complicated science accessible to a layperson. My big complaint with Testosterone Rex is that it doesn’t talk about non-cis people hardly at all. However, it makes many brilliant arguments about the role hormones like testosterone play in gender and gendered behavior. Read it, and read Delusions of Gender.

White Tears, Hari Kunzru

I said it when I read it, and I’ll say it again now: What the entire fuck. White Tears is a story about white appropriation of black culture, but it’s also a terrifying ghost story and a wild wild ride. It has one of the scariest endings I’ve ever encountered in a book. It’s brilliant and bananas. Get on it.

Amberlough, Lara Elena Donnolly

Amberlough is a secondary world fantasy (without any magic) about the performers in a cabaret confronting the rise of fascism in their country. If you can’t face that sort of a thing during the Trump presidency, it’s absolutely fair play. But if you are up to it, Amberlough is a strange and lovely book, a fantasy novel for lovers of the darkest bits of Cabaret.

Thorn, Intisar Khanani

One of the truly lovely things that happened this year was Intisar Khanani’s book deal with HarperTeen. Soon you’ll be able to get Thorn in a shiny new edition, and you should. It’s a retelling of the fairy tale “The Goose Girl,” a story that’s sad but hopeful, a story about good people trying their best. Intisar Khanani remains one of my favorite fantasy writers currently working.

Ninefox Gambit and Raven Stratagem, by Yoon Ha Lee

I admit that I was fearful of reading Ninefox Gambit, which I’d heard was a particularly dense bit of science fiction. But I’m so glad I pressed onward with it. Ninefox Gambit might be my actual favorite book of the year; I liked it so much that I ran straight out to the library to get Raven Stratagem. It’s about an imperfectly loyal soldier who has to share a brain with a famously brilliant, famously murderous general from the past. I loved it so much. I want you to love it, too.

Song of the Current, Sarah Tolcser

Such an excellent YA adventure novel. Caro takes to the river with a crateful of mystery cargo in the hopes that she can save her father from prison. But when the cargo turns out to be a boy — a snooty-as-hell boy, but good in a fight — she finds herself enmeshed in more plotting and violence than she’d bargained for. And look at that cover!

Starfish, Akemi Dawn Bowman

In YA as in adult fiction, I tend to gravitate more towards SFF stories. But Starfish won me over. It deals with sexual and emotional abuse in families in a way that I’ve encountered virtually never, and it’s exceptionally honest about the impact of growing up with an abusive parent. I loved Starfish, even more so because the author was able to take critique of some of the language in her book, and make a change for future editions.

Jane, Unlimited, Kristin Cashore

If you’d asked me what I expected as a follow-up to Kristin Cashore’s Graceling series, the last thing I’d have said would have been “Rebecca as a choose-your-own adventure, by way of Diana Wynne Jones.” But that’s what I got: Five separate stories in five separate genres, each most wonderfully stranger than the last.

I wish you strength in the New Year, and all the glorious books you can gobble up. What were some of your 2017 faves?

The post 2017 Reading in Review appeared first on Reading the End.

“I don’t know what justice is,” I tell him. “But I am trying to get what I can right.”

The above paragraph is a perfect summation of why I loved Thorn, and of why I love Intisar Khanani so much as an author. In Thorn, as in all her books, she writes about characters who may be in bad situations but who are trying their best. Characters who are trying their best are balm to my frazzled soul in these difficult times, so I am pushing Intisar Khanani’s books on people like they are ebags dot com packing cubes. Consider them pushed upon you. Go get you some.¹

Thorn is a retelling of the fairy tale “The Goose Girl.” It’s a good fairy tale, full of details with that specifically fairy tale brand of weirdness. In this one, a princess is sent to marry a prince in a faraway land; on the way to her wedding, her chambermaid changes clothes with her and ultimately marries the prince in her stead. The true princess has to serve as the goose girl and comfort herself by talking to the head of her horse Falada, whom the chambermaid has had killed in fear that Falada would tell the truth about her. (Go with it; it’s a fairy tale.) Matters proceed from there.

Thorn does a typically (for Intisar Khanani) sincere and sweet retelling of this story, providing a backstory for the fairy tale weirdness that absolutely works. The maidservant, Valka, has made a deal with a wicked witch to switch bodies with the princess Alyrra, so that the witch can gain access to prince Kestrin. If Alyrra tries to tell what happened to her, the witch’s spell will choke her to death. She takes on the nickname Thorn and bides her time to see if she can save the prince from the witch’s curse.

In the hands of an author whose faith in people is less genuine, Thorn could have been a mess. Huge swathes of the plot depend on people appreciating Thorn for not being a jerk in a world where jerkiness runs rampant. If her goodness had felt forced, or their gratitude untruthful, the book would have fallen apart. But I am particularly in need of books where people are kind because they are trying to be good, even when the circumstances around them may not be conducive to goodness. In Thorn, the characters try to be good because they want to see goodness in the world, but they can only control themselves and their own actions. Which is, you know, pretty hashtag-relatable right now.

Who here still hasn’t read Intisar Khanani? How can I convince you to give her a go?

The post Review: Thorn, Intisar Khanani appeared first on Reading the End.