I mean, I don’t know if you know this, but it’s about a kid who’s raised as a goat, and the university is the universe; so there you have the central conceits. There are a lot of things like the Second Campus Riot and then the west side of campus and the east side of campus had the Quiet Riot and like – okay, whatever, I will admit that the long segment of world history refigured for a university became a little trying (I guess if I’d thought it was funny, it might have been better), and the I-am-a-goat bits irritated me. I kept having to put the book down and have a brief silent soliloquoy about Why, why, why, why? which is how I sometimes feel about postmodern things. This book is damn weird, and I didn’t like it at all, so I set myself a goal: Read until chapter four of the second section, and then you can quit. After I decided that, I had a dream in which I was in jail for something, and they took us on a field trip to the bookshop, but they wouldn’t let me look at any of the good books. I could only look at the lame books. And inside my head I was thinking I will not let them break my spirit!

I was very, very close to abandoning the entire enterprise. But I sensibly consulted The Internet, and The Internet assured me that I was quite right. Giles Goat-Boy does get off to a weird start, and the university-history thing is dated and weird. The Internet also told me that The Sot-Weed Factor might be more my thing, and that John Barth, in spite of all his weirdness, does some damn good storytelling. And I am all about plot. I know a lot of people just rejoice in the joyous joys of writing, and I do too, but honestly, if there’s not a good plot there, and if it’s not being advanced well, it’s just no good. That was why (I know it’s not the generally-held opinion) I like The Ground Beneath Her Feet so much better than Midnight’s Children, which was a very cool idea and a beautifully written book but sort of carried the plot along in fits and starts. Whereas The Ground Beneath Her Feet goes steadily along, with things happening – love story, goats, photography, and all the rest and so forth.

I really was determined to get to my chapter-four cutoff point, and the thing is, I just didn’t do it. After a while I tipped it off my bedside table in my sleep, and then I read Ender’s Shadow and Ender’s Game, and then I obtained from another library branch The Satanic Verses and read that, and then I wanted to read Walk Two Moons which I always see all over my house so I looked and looked and I couldn’t find it so instead of that I read Chasing Redbird and then I hunted for Walk Two Moons some more and the damn book was nowhere but I did find Back Home, which I’d been frantically hunting for after I read Good Night, Mr. Tom earlier this month, so I read that, and then my mother got Understanding the Borderline Mother, which my family’s been dying to read because we love reading about BPD, on PaperbackSwap, and I was halfway through that and I realized that there is just no part of me that even remotely wants to read Giles Goat-Boy.

So I stopped trying.

Oh well.

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But maybe I was just in the wrong mood for this book.  So perhaps I’ll try it again someday (probably not though).  Definitely I will try another Ian McEwan book sometime – I hate it when someone’s a highly acclaimed writer who has written a number of books and I really, really, really want to love them because that would be exciting and open up new vistas of joy for me but then I hate their books.  That’s why I never read Joyce Carol Oates, because I’m afraid of that very thing happening.

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