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	<title>Tricked Archives - Reading the End</title>
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	<description>before I read the middle</description>
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	<title>Tricked Archives - Reading the End</title>
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		<title>Tricked, Alex Robinson</title>
		<link>https://readingtheend.com/2009/07/28/tricked-alex-robinson/</link>
					<comments>https://readingtheend.com/2009/07/28/tricked-alex-robinson/#comments</comments>
		
		<dc:creator><![CDATA[Gin Jenny]]></dc:creator>
		<pubDate>Tue, 28 Jul 2009 15:22:56 +0000</pubDate>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Alex Robinson]]></category>
		<category><![CDATA[graphic novel]]></category>
		<category><![CDATA[mental illness]]></category>
		<category><![CDATA[multiple points of view]]></category>
		<category><![CDATA[Tricked]]></category>
		<guid isPermaLink="false">http://readingtheend.com/?p=1043</guid>

					<description><![CDATA[<p>My graphic novel experiments continue!  I checked this out because I opened it up and I liked some of the things the artist did with panels.  I still do actually &#8211; there&#8217;s a page I remember, where the whole page is the character&#8217;s face, and it&#8217;s broken up into panels with dialogue across it.  It&#8217;s a good effect, how the dialogue washes across the character as he&#8217;s deep in thought.  Maybe it&#8217;s because I read Scott McCloud&#8217;s books, or maybe it&#8217;s because there were some rather flashy art choices (not flashy in a bad way!), but I noticed panel divisions&#8230;</p>
<p>The post <a href="https://readingtheend.com/2009/07/28/tricked-alex-robinson/">Tricked, Alex Robinson</a> appeared first on <a href="https://readingtheend.com">Reading the End</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>My graphic novel experiments continue!  I checked this out because I opened it up and I liked some of the things the artist did with panels.  I still do actually &#8211; there&#8217;s a page I remember, where the whole page is the character&#8217;s face, and it&#8217;s broken up into panels with dialogue across it.  It&#8217;s a good effect, how the dialogue washes across the character as he&#8217;s deep in thought.  Maybe it&#8217;s because I read Scott McCloud&#8217;s books, or maybe it&#8217;s because there were some rather flashy art choices (not flashy in a bad way!), but I noticed panel divisions and art tricks a lot more, reading <em>Tricks</em>, than I have in past graphic novel readings.</p>
<p><em>Tricked</em> is about a number of people &#8211; a musician, Ray Beam, who hasn&#8217;t recorded an album in years; a pretty girl called Lily who becomes his personal assistant (with or without quotation marks); a waitress called Caprice who&#8217;s looking for luuuuv; a girl who comes to find her long-lost father; a fantastically boring forger in a pawn shop; and a schizophrenic IT guy called Steve who has gone off his meds.</p>
<p>I don&#8217;t know.  I enjoyed reading this, I guess,  but I didn&#8217;t really care what happened to any of the characters.  They were cardboard cutouts of Types, I thought, and not much happened to make them more interesting.  A lot of the situations seemed far-fetched, and just became more so as the story went on.  Even when the characters themselves acknowledged the craziness of their lives, it didn&#8217;t make their lives any less implausibly crazy.  When I finished the book, I felt like I had been waiting for better things.</p>
<p>The art was excellent though.  Really.  I think the reason I finished the book at all was that the art was very cool.  Lots of good tricks (tricks, <em>Tricked</em>, ya see what I did there?) with the panels, and with making the pictures and dialogue work together.  I love that stuff.</p>
<p>If you reviewed this let me know and I will link to yours!</p>
<p>The post <a href="https://readingtheend.com/2009/07/28/tricked-alex-robinson/">Tricked, Alex Robinson</a> appeared first on <a href="https://readingtheend.com">Reading the End</a>.</p>
]]></content:encoded>
					
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